Reach into the nostril and pull
I got this awesome gift of a tissue box cover made to look like an Easter Island head. We tend to go easy on the paper products around here, but of course once one of these things enters your house everyone succumbs to a bad case of the snots. I'd take a photo of the tissue box, but we've basically sacked and pillaged it in the last day or so. You see, the Kleenex comes out of the nose and the effect has been lost.
Now it's sitting on my desk with pursed lips and a furrowed brow, somehow deepening my mistrust of the holidays. If you don't dig shopping, what the hell do you do with yourself this week besides suck the last drops from the wine cask bladder or drive your friends to the airport? It's all the ambivalent recreating going on, the closed-for-the-holidays, Boxing Day, overfed, squidgy feeling of existential limbo. Plus the cable went down leaving me with no internet and a snowy version of Lord of the Rings, which I adore--just not for the fourth time.
Once back online, I found a day-old from Maud Newton via Bookninja about authors moving from bigger houses to smaller ones.
Maud says:
I guess one could always make the case: if you're afterthought dirt, then can you really expect people to treat you like royalty?
I'm at a medium-sized house and I've received flowers from my publisher at least six times. In fact, they've got me so spoiled now, when I walk into a hotel room and there isn't at least a bouquet or some sort of fruit baskety thing on the credenza, I'm all: "So where the hell are my flowers?" And I actually once said this to the publisher: "Are you sure it's worth it to fly me to Toronto again?" And I haven't even paid off my advance yet.
A few years ago a certain editor had to basically threaten seppuku on a board room table to get a certain third novel through the gate after the author's sophomore novel was a sales donkey. Oh yeah, and I think that third novel went on to win this overseas prize that used to be called the Booker, which is now called the Man Booker, which if the trend continues, will soon be called the Man Prize. Now that's an award--The Man Prize. I want to win the Man Prize some day.
I can't see how it pays in the end for big houses to chase trends around the countryside in hopes of picking a winner. That's like trying to predict the weather for the Vancouver Olympics in 2010.
Now it's sitting on my desk with pursed lips and a furrowed brow, somehow deepening my mistrust of the holidays. If you don't dig shopping, what the hell do you do with yourself this week besides suck the last drops from the wine cask bladder or drive your friends to the airport? It's all the ambivalent recreating going on, the closed-for-the-holidays, Boxing Day, overfed, squidgy feeling of existential limbo. Plus the cable went down leaving me with no internet and a snowy version of Lord of the Rings, which I adore--just not for the fourth time.
Once back online, I found a day-old from Maud Newton via Bookninja about authors moving from bigger houses to smaller ones.
Maud says:
Increasingly, even established writers like Kurt Vonnegut are looking beyond big-name publishers. They're signing small press deals that guarantee heightened publicity and higher royalties; in return the authors accept drastically reduced advances.Prompted by a Wall Street Journal article from a couple of weeks ago, "The Hot New Advance: $0."
Vanguard says it is responding to the rapid-fire changes that have given the once-sleepy publishing world a distinctly casino-like atmosphere. Increasingly these days books have only a week or two to establish themselves as big hits; otherwise they're quickly washed to the back of the store.I sort of agree with Ninja George:
If you're treated like afterthought dirt at even the largest press, you're still just afterthought dirt. Besides the increased production values and care given by smaller presses, you also get more personal attention from the people trying to sell books. They really care about what they're publishing and do nothing out of habit. This is the advantage of living so close to the edge. It keeps the senses sharp.Maybe more than sort of, actually. If you're a writer--especially a rookie author--lured to a big house by a fat advance, then imagine how you might feel if your book doesn't perform like a thoroughbred. Like a supermodel with a bad skin rash, that's how. I've heard it said that American authors get two shots on goal. Up here we're a little behind the times. We supposedly get three shots.
I guess one could always make the case: if you're afterthought dirt, then can you really expect people to treat you like royalty?
I'm at a medium-sized house and I've received flowers from my publisher at least six times. In fact, they've got me so spoiled now, when I walk into a hotel room and there isn't at least a bouquet or some sort of fruit baskety thing on the credenza, I'm all: "So where the hell are my flowers?" And I actually once said this to the publisher: "Are you sure it's worth it to fly me to Toronto again?" And I haven't even paid off my advance yet.
A few years ago a certain editor had to basically threaten seppuku on a board room table to get a certain third novel through the gate after the author's sophomore novel was a sales donkey. Oh yeah, and I think that third novel went on to win this overseas prize that used to be called the Booker, which is now called the Man Booker, which if the trend continues, will soon be called the Man Prize. Now that's an award--The Man Prize. I want to win the Man Prize some day.
I can't see how it pays in the end for big houses to chase trends around the countryside in hopes of picking a winner. That's like trying to predict the weather for the Vancouver Olympics in 2010.
December 23, 2006
I notice the lack of parking meters
posted by Charlotte at 11:41 PM | permalink | email it |0 comments
December 19, 2006
Save me from the crickets
But before then, I'm doing a reading at a certain large public Vancouver location. If you live in Vancouver, please get in touch with me via email, so I can plead and grovel for your attendance in a personalized electronic note. Because, uh, it never occurred to me when I said yes to the very nice organizing ladies that such a reading would be held in the Special Room, a frighteningly gigantic space with a million plastic chairs and savage lighting and not an alcoholic beverage within a ten kilometre radius. A place my writer-friend Kevin Armstrong once called: The Room Where Words Go To Die. I received the poster today--which normally I would have been super-chuffed about, as I normally dig this certain large public location immensely--and I lost a few bars of blood pressure upon discovering that I'm reading alone.
Don't worry about the location and the time. I plan to blog it to death in the coming weeks.
If you think you might be an employee of the above-mentioned place, please don't take offense. I love you guys. High school kids call up the help desk with questions that turn out to be their homework, and you'll basically research and write the answers out while they take dictation on the other end of the line. No questions asked, free of charge. In other parts of the world, you rebuff cops who enter your establishments demanding to know who took out such titles as How To Build A Shoe Bomb and Other Handicrafts for Teenagers. I move to the back of the bus for you people. Plus, I thought you were on vacation.
posted by Charlotte at 11:43 PM | permalink | email it |2 comments
The best cookies in the whole world
posted by Charlotte at 8:00 AM | permalink | email it |2 comments
December 18, 2006
It's the pink courier font that won me over
As you can see, it came from fussy.org.
posted by Charlotte at 1:01 PM | permalink | email it |0 comments
December 17, 2006
Stuck in Whistler
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December 13, 2006
I'm not a pimp, I just play one on TV
A drag, a real drag, for all of you who love the "Googled" section so much. Now you've got to scroll down just that extra little bit, tiring your trigger fingers and sullying your eyes with vanity publishing offers and vacation property promotions in Charlotte, NC. I know. To sweeten the deal I volunteer to enable the comments function--if I can figure out how in sweet, soggy tarnation it works. Act now. Valid for a limited time only. Especially you, my Texan friend, who wrote in with this in response to Monday's post:
All right, Dallas, it will be done. The comments as well as the tippling. But don't come crying to me when Ma G starts eviscerating you with her red pen.
posted by Charlotte at 1:42 PM | permalink | email it |2 comments
December 12, 2006
When it snowed
posted by Charlotte at 11:19 AM | permalink | email it |1 comments
December 11, 2006
Resolutions
And for all of you who are sick of looking at the same old masthead, this website gets a facelift. Do any of you do this for a living? And would you willing build me a masthead? Because I'd much rather give you my money than some mouse-slinging stranger with a weird haircut who will without doubt charge me a drug dealer's monthly salary.
posted by Charlotte at 3:37 PM | permalink | email it |0 comments
December 6, 2006
NDRAVAW
National Day of Remembrance and Action on Violence Against Women. It's a mouthful--the words stumble off my tongue. What the day asks of us is to re-imagine the deaths of 14 people who died because they were female and perhaps also because they were on the road to success in an historically male-dominated field. Beyond this, the official Government of Canada website tells me:
What does it mean to commemorate the day on which innocent people were killed? Not only that, but to remember all the women who've fallen under cruel hands, who've been terrorized, traumatized, and worse. Am I alone in finding all of this an intensely heavy task, necessary and, at the same time, impossible? All the women and girls who have ever suffered publically or in obscurity, behind closed doors or closed borders. How many thousands or millions are we talking? To be honest I'm afraid of the math.
At the same time we're encouraged to look forward as well as back. To reach into the future and pull out a solution to ensure December 6th never unfolds again as it did 17 years ago in Montreal.
Monique Lepine, Marc's Lepine's mother, has been a recluse since the shootings. She spoke publically for the first time this year. About Marc's father, a verbally and physically violent man who forbade any tenderness where his children were concerned. Especially from their mother, who said, "When he hit my son in the face, the marks lasted for a week." All of this before Marc Lepine was five years old.
Violence, to me, is an eruption of the unconscious. A volcanic psychic energy, tied by a thin thread to surface beliefs and attitudes, a mechanism at the root of the mind that won't be reasoned with, that has no voice of its own. It's not something I can truly understand from reading a newspaper column or by examining statistics or even from a National Day of Remembrance. I think of it like radioactive waste buried deep in the ground. It can't be undone, it won't drain away, and it contaminates everyone it touches, no matter how superficially.
But how to combat a force as unfathomable and seemingly intrinsic to the human animal as violence? It's like fist-fighting a shadow.
Never again. Fighting words. If you Google "never again" you get Rwanda, The Holocaust, 9/11. How to take action without joining the war against violence against women, which joins the war against AIDS, the war against drugs and against poverty, the war on terrorism. How to look forward without waging war?
Albert Einstein once said: "The significant problems we have cannot be solved at the same level of thinking with which we created them." It's a famous quote that's now used a lot by corporate trainers. But I think at the time he was worried about a nuclear holocaust.
Monique Lepine remembered attending a prayer meeting on the night of the shootings 17 years ago. The gunman's identity had not yet been released. She said, "I asked to pray for the mother of that young man, without knowing it was me."
Without knowing it was me. In those few words I begin to feel sympathy for this former mother and her five-year-old boy, and I never pause to wonder if either one of them deserves it. That's the way compassion works, as far as I can tell, as an antidote for antagonism. Swiftly and belatedly and without my consent, Monique Lepine is changing my mind. There's something in this, a story's narrative intimacies--perceptible thresholds, tipping points, the power of identification.
One thing I can do as a woman who goes out at night, alone, wearing high heels and a cash-filled purse, is to remember that in Afghanistan right now there are women who never go out at all--not with escorts, not in daylight, not ever. One thing I can do as a writer is to explore, with no judgment, each side of every coin.
Consider Take Back The Night. The first march was held in Belgium in 1976. A group of women attending the International Tribunal on Crimes Against Women walked arm-in-arm through the streets, holding candles to draw attention to the issue of violence against women. 30 years later, nearly everyone has heard of Take Back the Night. Candlelight marches are held in cities all over the world.
I'm not a marcher, and not (generally) a protester either. What's interesting to me about Take Back the Night is the potency of its metaphors. They were intended literally at first. Illumination in darkness. Night representing the vulnerability women everywhere often feel outdoors. A primal fear of the predatory darkness beyond the campfire, the streetlight, the crackling hearth.
The term "Take Back the Night" came from the title of a 1977 memorial read at an anti-violence rally in Pittsburg:
Since its inception, the leitmotifs of Take Back the Night seem to have morphed and spread out all over the page and picked up a more complicated social meaning. Candlelight equals hope as well as power in numbers. Night has come to symbolize not only darkness but the fear of violence itself. Darkness is also isolation, a sense of helplessness in one's plight. If I look at Take Back the Night in this way I see the fundamental movement is really all about a psychological shift rather than a social one--more empowerment and less retribution, less an end of violence and more the end of fear.
It's tempting to point out that Take Back the Night doesn't actually do anything directly. It doesn't stand between husband and wife, and it doesn't prosecute anyone in court. But maybe there's something in there. As Stephen Lewis points out in his fantastic book, Race Against Time, it's often the side-door, anti-intuitive concepts that solve problems. One solution to the AIDS crisis in Africa is neither food donations nor antiretrovirals, but universal schooling for thousands of orphaned children. And just like this, the future takes shape in little overlooked ideas that toil away in the background while the world is reading the headlines. In India there is a non-profit organization called SEWA. It grants loans and banking privileges to poor, illiterate, self-employed women who otherwise would be forced to rely on their husbands and sons for the safe-keeping of their earnings. What direct effect does this have on violence against women? I'm hard-pressed to find a reliable statistic, but I bet the impact is huge.
What is the opposite of violence? I'm not precisely sure, but I think it might look something like security. What else might it look like? Another famous quote, from Mother Teresa: "I was once asked why I don't participate in anti-war demonstrations. I said that I will never do that, but as soon as you have a pro-peace rally, I'll be there." Looking back while looking forward. Down, and at the same time, up. A pro-happiness-freedom-and-kindness movement. Or something pretty much like that.
posted by Charlotte at 11:07 AM | permalink | email it |0 comments
December 5, 2006
Professional help recommended
posted by Charlotte at 8:56 PM | permalink | email it |0 comments
Bride Head
I got married a couple of weeks ago, you see, and a rain of guests came down upon our house. A recently wedded girlfriend dropped by before the big event and caught me in socks and pajamas surrounded by truffle ganache, flowered stickers and Martha Stewart clippings:
CG: I feel all muzzy-headed. Sort of disembodied and stupid.
FRIEND: Oh, you have Bride Head. It's common. I think you get it again when you're pregnant.
CG: Only you call it Pregnant Head. Or would that be Brideshead Revisited?
The day was blingin', with pissing rain in the background. They say this is lucky. Which I guess, in some intangible, hard-to-describe way, is my experience of marriage so far. I'd blog it all in great detail, but with the thousand photos and hours of video and yards and yards of meringuey white-ribboned festooning, I've given myself cavities. Besides, Ma G gives an excellent eyewitness account.
posted by Charlotte at 5:35 PM | permalink | email it |0 comments
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